『ThewildHoneySuckle』（野忍冬花）作者：jessicalee

http://tv.2345.com/detail/11660.html

The wild HoneySuckle

By PhilipFreneau

fang譯

Fair flower, that dost so comelygrow,A

美麗的花兒長(zhǎng)得如此漂亮，

Hid in this silent, dullretreat,B

躲藏在這安靜，沉悶的地方，
Untouched thy honied blossomsblow,A

無(wú)人觸及你含蜜的芬芳，
Unseen thy little branchesgreet;B

你纖弱的枝杈無(wú)人欣賞；
No roving foot shall crush theehere,C

不遭踐踏無(wú)腳在此游蕩，

No busy hand provoke atear.C

無(wú)多事的手惹你眼淚淌。

By Nature's self in whitearrayed,

大自然授你白色的裙裳，
She bade thee shun the vulgareye,

她命你遠(yuǎn)遁世俗的眼光，
And planted here the guardianshade,

根植于此盡享監(jiān)護(hù)蔭涼，
And sent soft waters murmuringby;

她遣柔情流水淺吟低唱；她遣柔情流水翻騰波浪；

Thus quietly thy summergoes,

你的夏季悄悄消失遠(yuǎn)方，
Thy days declining to repose.

頹然歸于安寧你的輝煌。

Smit with those charms, that mustdecay,

這樣的優(yōu)雅卻終歸滅亡，
I grieve to see your future doom;

預(yù)見(jiàn)你未來(lái)歸宿我憂(yōu)傷；
They died--nor were those flowers moregay,

他們死去---這些花更歡暢，
The flowers that did in Edenbloom;

這些花曾在伊甸園開(kāi)放；

Unpitying frosts, and Autumn'spower

狠心的霜凍，深秋的力量
Shall leave no vestige of thisflower.

將使此花痕跡全部掃蕩。

From morning suns and evenigndews

從夜晚露水和早晨太陽(yáng)
At first thy little beingcame:

開(kāi)始長(zhǎng)出你弱小的芽秧：
If nothing once, you nothinglose,

若從前虛無(wú)，你無(wú)所失喪，
For when you die you are thesame;

因?yàn)楫?dāng)你逝去別無(wú)二樣；
The space between, is but anhour,

生死之間僅是彈指一晌，
The frail duration of aflower.

一朵較弱花兒春夢(mèng)一場(chǎng)。

野忍冬花

黃杲炘 譯

美好的花呀，你長(zhǎng)得：這么秀麗，
卻藏身在這僻靜沉悶的地方——
甜美的花兒開(kāi)了卻沒(méi)人親昵，
招展的小小枝梢也沒(méi)人觀賞；
沒(méi)游來(lái)蕩去的腳來(lái)把你踩碎，
沒(méi)東攀西摘的手來(lái)催你落淚。

大自然把你打扮得一身潔白，
她叫你避開(kāi)庸俗粗鄙的目光，
她布置下樹(shù)蔭把你護(hù)衛(wèi)起來(lái)，
又讓潺潺的柔波淌過(guò)你身旁；
你的夏天就這樣靜靜地消逝，
這時(shí)候你日見(jiàn)萎蔫終將安息。

那些難免消逝的美使我銷(xiāo)魂，
想起你未來(lái)的結(jié)局我就心疼，
別的那些花兒也不比你幸運(yùn)——
雖開(kāi)放在伊甸園中也已凋零，
無(wú)情的寒霜再加秋風(fēng)的威力，
會(huì)叫這花朵消失得一無(wú)蹤跡。

In this poem the poet expresseda keen awareness of the loveliness and transience ofnature. He not only meditated onmortality but also celebrated nature. Itimplies that life and death are inevitable law of nature.
"The Wild Honey Suckle" is Philip Freneau’s most widely readnatural lyric with the theme oftransience. The central image is a nativewild flower, which makes a drastic difference from elite flowerimages typical of tradition English poems. The poem showed strongfeelings for the natural beauty, which was the characteristic ofromantic poets.
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The poem was written inregular 6-line tetrameter stanzas(六行四音步詩(shī)節(jié)), rhyming: ababcc. The structure of thepoem is regular, so it has the neoclassic qualityof proportion and balance.
Alliteration, assonance, masculine rhyme used in the poemalso produce musical or melodious and harmonious beauty, whichmatches the beauty of the flower, and the beauty of poem is partlyembodied in the effects created through changes in therhythm.
The poem contains iambics, trochaics and spondee.The arrangement of stressed and unstressed syllables suggests thetransience of the life, of the flower andof the poet's emotional change. The poemis full of sensuous images such as fair flower (visual image),comely grow (aesthetic image) and honeyed blossoms (olfactoryimage). All the images make us feel pitiful for the beautifulflower which has only a short life.
Obviously the poet is a sentimental, deistic optimist.
The line "the space between, is but an hour" contains ahyperbole stressing the transience oflife.
The tone of the poem is both sentimental andoptimistic.

菲利普•弗瑞諾(Philip Freneau,1752-1832),美國(guó)19世紀(jì)著名詩(shī)人。出生于紐約一酒商家里，1768年進(jìn)入普林斯頓大學(xué)。一生漫長(zhǎng)而坎坷，既當(dāng)過(guò)作家和編輯，也曾涉足政界商海。豐富的閱歷為他的文學(xué)創(chuàng)作提供了極好的機(jī)會(huì)，作為編輯，他有機(jī)會(huì)發(fā)表大量辛辣幽默的詩(shī)歌，以表達(dá)他對(duì)民主和獨(dú)立的向往，并以此蜚聲文壇。而商務(wù)活動(dòng)又使他得以遠(yuǎn)涉重洋，游歷熱帶島嶼，并寫(xiě)出許多優(yōu)美的抒情詩(shī)歌，歌唱旖旎的熱帶風(fēng)光。費(fèi)瑞諾在普林斯頓大學(xué)就讀是就開(kāi)始初露鋒芒，曾和朋友一起創(chuàng)作了充滿(mǎn)愛(ài)國(guó)激情的史詩(shī)《美洲光輝的升起》（The Rising Glory ofAmerica），預(yù)言美國(guó)必將把廣袤的國(guó)土從大西洋擴(kuò)展到太平洋。他早年投身政界，以犀利的文筆表達(dá)他對(duì)英國(guó)殖民統(tǒng)治的強(qiáng)烈不滿(mǎn)和對(duì)獨(dú)立革命的熱情支持。后來(lái)在參加革命軍后在大西洋上航行時(shí)被英國(guó)囚船監(jiān)禁6周，獲釋后在許多文章和詩(shī)歌里毫不留情的揭露了英國(guó)殖民者的侵略行徑。費(fèi)瑞諾因此被冠以“美國(guó)革命詩(shī)人”稱(chēng)號(hào)。因朋友麥迪遜和杰弗遜的邀請(qǐng)，他有著手創(chuàng)辦報(bào)紙，支持杰弗遜的民主政策，為美國(guó)的兩黨制建設(shè)及其黨派刊物的創(chuàng)建作出了巨大的貢獻(xiàn)。
他的詩(shī)歌涉及死亡、自然、人生、變遷等主題，這為以模仿英國(guó)詩(shī)歌模式為主流的沉悶的18世紀(jì)美國(guó)詩(shī)壇增添了幾分新意和活力，并為美國(guó)鄉(xiāng)土詩(shī)歌的發(fā)展奠定了基礎(chǔ)。他的詩(shī)歌創(chuàng)作不僅數(shù)量多，而且題材多樣，藝術(shù)成就過(guò)人。盡管他在很大程度上受到彌爾頓和格雷等英國(guó)詩(shī)人的影響，在詩(shī)歌的主題和形式上都帶有明顯的模仿痕跡，但他卻頗有獨(dú)創(chuàng)地把傳統(tǒng)英詩(shī)的創(chuàng)作模式運(yùn)用到謳歌北美大陸特有的土著居民和花卉鳥(niǎo)獸中，使他的詩(shī)歌創(chuàng)作充滿(mǎn)濃郁的美洲泥土的芬芳。他的詩(shī)歌既富于浪漫主義色彩，又充滿(mǎn)大自然的清新畫(huà)面，而且還不乏譏誚和幽默感。弗瑞諾在景色描寫(xiě)以及對(duì)死亡主題的探索方面算不上是一個(gè)倡導(dǎo)者，但是他對(duì)大自然的敏銳感受力和貫穿于他詩(shī)歌中的美妙的音樂(lè)感，在美國(guó)詩(shī)壇卻是首屈一指的。他的名篇如《印第安人墓地》（The Indian Burying Ground）和《野忍冬花》（The Wild HoneySuckle）等一直被視為美國(guó)文學(xué)的瑰寶，而他本人則被認(rèn)為是美國(guó)浪漫主義文學(xué)的先驅(qū)。

野金銀花（忍冬花）

美麗的花兒 如此清秀的綻放

隱藏在這安寧幽靜的所在

未經(jīng)染指的花蕊盛開(kāi)芬芳

未被注目的細(xì)枝問(wèn)詢(xún)搖擺

不會(huì)有那旅人踐踏的腳步

不會(huì)有那好事者的采摘

白色的花兒開(kāi)得自在

將那凡塵俗眼躲避開(kāi)來(lái)

四周有香林掩蓋

一條弱水帶著細(xì)語(yǔ)相伴

這夏日便如此消逝遠(yuǎn)去

你的花期也漸近凋敝

暗香也終將銷(xiāo)殘

念及你之終期 我便哀慟不已

它們謝去—也不減分毫妍麗

曾在天堂綻放的花朵

嚴(yán)霜與那秋日的肅殺

不會(huì)讓花兒留下絲毫痕跡

那嬌蕊自朝霞與暮露里

來(lái)到這塵世

來(lái)時(shí)一無(wú)所有 去時(shí)了無(wú)牽掛

塵歸塵 土歸土

這相隔的時(shí)間 不過(guò)一晌

這便是一朵花兒憔悴的命運(yùn)一場(chǎng)

簡(jiǎn)介：

菲利普·弗倫諾

PhilipFreneau（1752-1832）美國(guó)殖民時(shí)期著名詩(shī)人，美國(guó)革命戰(zhàn)爭(zhēng)后期最杰出的作家。生于紐約一酒商家庭。1768年進(jìn)入普林斯頓大學(xué)，次年發(fā)起建立北美第一個(gè)革命學(xué)生組織。他寫(xiě)于內(nèi)戰(zhàn)時(shí)期的詩(shī)集《內(nèi)戰(zhàn)時(shí)期及其他》(1864)，歌頌內(nèi)戰(zhàn)時(shí)期反蓄奴制斗爭(zhēng)中的英雄主義精神，歡慶黑奴解放，以鼓勵(lì)士氣。1781年發(fā)表《英國(guó)囚船》一詩(shī)，揭露英軍虐待戰(zhàn)俘的暴行。1786年出版《弗瑞諾詩(shī)集》，被譽(yù)為“美國(guó)獨(dú)立革命的詩(shī)人”。戰(zhàn)后，他支持杰弗遜，為美國(guó)政府做出巨大貢獻(xiàn)
但50歲后，他在貧窮中度過(guò)余生。

Philip Freneau菲利普·弗倫諾主要作品

The Rising Glory of America蒸蒸日上的美洲；
The British Prison Ship英國(guó)囚船；
To the Memory of the Brave Americans紀(jì)念美國(guó)勇士-----

The Wild Honeysuckle野生的金銀花；
The Indian Burying Ground印第安人殯葬地

http://focusgoal.i.sohu.com/blog/view/160386422.htm

金銀花
菲利普·弗瑞諾

美麗的金銀花，
你粲然綻放于幽靜一角。
芳菲滿(mǎn)枝，無(wú)人垂顧，
迎風(fēng)起舞，無(wú)人注目。
游子從不踐踏你的玉體，
過(guò)客從不催落你的淚滴。

造化令你素裹銀妝，
你得以遠(yuǎn)離庸人的目光。
她賜予你一片綠陰蔥蔥，
她帶給你一泓流水淙淙。
恬靜的夏日倏然流淌，
你終于紅衰翠減，玉隕香消。

嫵媚動(dòng)人，你卻無(wú)法盛顏久長(zhǎng)，
落紅滿(mǎn)地，你令我黯然神傷。
縱然在伊甸樂(lè)園，人間天堂，
也難免一日凋零，滿(mǎn)目凄涼。
蕭瑟秋風(fēng)，凄白秋霜，
你終于消失得無(wú)影無(wú)蹤。

朝霞暮露，
孕育了你嬌小的身軀。
你從塵土來(lái)，又歸塵土去，
來(lái)時(shí)一無(wú)所有，去時(shí)化作塵土，
可嘆生命苦短，
你終究紅消香斷。

inthispoemthepoetexpressedakeenawarenessofthelovelinessandtransienceofnature.henotonlymeditatedonmortalitybutalsocelebratednature.itimpliesthatlifeanddeathareinevitablelawofnature,
"thewildhoneysuckle"isphilipfreneau&apos;smostwidelyreadnatureallyricwiththethemeoftransience.thecentralimageisanativewildflower,whichmakesadrasticdifferencefromeliteflowerimagestypicaloftraditionenglishpoems.
thepoemshowedstrongfeelingsforthenaturalbeauty,whichwasthecharacteristicofromanticpoets.
重要部分：thepoemwaswritteninregular6-linetetrameterstanzas,rhyming:ababcc.thestructureofthepoemisregular,soithastheneoclassicqualityofproportionandbalance.
alliteration,assonance,masculinerhymeusedinthepoemalsoproducemusicalormelodiousandharmonious,whichmatchesthebeautyoftheflower,thebeautyofpoemispartlyambodiedintheeffectscreatedthroughchangesintherhythm.
thepoemcontainsiambicstrochaicsandspondee.
thearrangementofstressedandunstressedsyllablessuggeststhetransienceofthelifeoftheflowerandthepoet&apos;semotionalchange.thepoemisfullofsensuousimagessuchasfairflowervisualimage,comelygrowkinastheticimageandhoneyedblossomsolfactoryimage.alltheimagesmakeusfeelpityforthebeautifulflowerwhichhasonlyashortlife.
obviouslythepoetissentimental,deisticoptimist.
theline"thesapaceisbutanhour"containsahyperbolestressingandtransienceoflife.
thetoneofthepoemisbothsentimentalandoptimistic.

The Wild Honey Suckle

by Philip Freneau

Fair flower, that dost so comely grow,
Hid in this silent,dull retreat,
Untouched thy honeyed blossoms blow,
Unseen thy little branches greet:
No roving foot shall crushthee here,
No busy hand provoke atear.

By Nature&apos;s self in whitearrayed,
She bade thee shun the vulger eye,
And planted here the guardian shade,
And sent soft waters murmuring by;
Thus quietly thy summergoes,
Thy days declining torepose.

Smit with those chams,that must decay,
I grieve to see your future doom;
They died--nor were those flowers more gay,
The flowers that did in Eden bloom;
Unpitying frosts,andAutumn&apos;s power

Shall leave no vestige of thisflower.

From morning suns and evening dews
At first thy little being came:
If nothing once,you nothing lose,
For when you die you are the same;
The space between,is but anhour,
The frail duration offlower.

野金銀花
菲利普·弗瑞諾

美麗的金銀花，
你粲然綻放于幽靜一角。
芳菲滿(mǎn)枝，無(wú)人垂顧，
迎風(fēng)起舞，無(wú)人注目。
游子從不踐踏你的玉體，
過(guò)客從不催落你的淚滴。

造化令你素裹銀妝，
你得以遠(yuǎn)離庸人的目光。
她賜予你一片綠陰蔥蔥，
她帶給你一泓流水淙淙。
恬靜的夏日倏然流淌，
你終于紅衰翠減，玉隕香消。

嫵媚動(dòng)人，你卻無(wú)法盛顏久長(zhǎng)，
落紅滿(mǎn)地，你令我黯然神傷。
縱然在伊甸樂(lè)園，人間天堂，
也難免一日凋零，滿(mǎn)目凄涼。
蕭瑟秋風(fēng)，凄白秋霜，
你終于消失得無(wú)影無(wú)蹤。

朝霞暮露，
孕育了你嬌小的身軀。
你從塵土來(lái)，又歸塵土去，
來(lái)時(shí)一無(wú)所有，去時(shí)化作塵土，
可嘆生命苦短，
你終究紅消香斷。

ByPhilipFreneau

Fair flower, that dost so comelygrow,

Hid in this silent, dull retreat,
Untouched thy honied blossoms blow,
Unseen thy little branches greet;
No roving foot shall crush thee here,
No busy hand provoke a tear.

By Nature's self in white arrayed,
She bade thee shun the vulgar eye,
And planted here the gaurdian shade,
And sent soft waters murmuringby;

Thus quietly thy summer goes,
Thy days declinging torepose.

Smit with those charms, that mustdecay,
I grieve to see your future doom;
They died--nor were those flowers more gay,
The flowers that did in Edenbloom;

Unpitying frosts, and Autumn's power
Shall leave no vestige of thisflower.

From morning suns and evenign dews
At first thy little being came:
If nothing once, you nothing lose,
For when you die you are the same;
The space between, is but an hour,
The frail duration of aflower.

『作品簡(jiǎn)介』

《野金銀花》寫(xiě)于1786年。使人欣賞和描述美國(guó)自然景物，有把魅力富饒的每周安于為地上天宮的意味。該詩(shī)也表現(xiàn)出詩(shī)人敢于獨(dú)辟蹊徑、擺脫古典傳統(tǒng)約束的勇氣。

In this poem the poetexpressed a keen awareness of the loveliness and transience ofnature.he not only meditated on mortality but also celebratednature.it implies that life and death are inevitable law ofnature,
"the wild honey suckle"is philipfreneau's most widely read natureallyric with the theme of transience.the central image is anativewild flower,which makes a drastic difference from eliteflower images typical of tradition english poems.
the poem showed strong feelings for the natural beauty,which wasthe characteristic of romantic poets.
重要部分：the poem was written in regular 6-line tetrameterstanzas,rhyming:ababcc .the structure of the poem is regular,so ithas the neoclassic quality of proportion and balance.
alliteration ,assonance,masculine rhyme used in the poem alsoproduce musical or melodious and harmonious,which matches thebeautyof the flower,the beauty of poem is partly ambodied in theeffects created through changes in the rhythm.
the poem contains iambics trochaics and spondee.
the arrangement of stressed and unstressed syllables suggests thetransience of the life of the flower and the poet's emotionalchange.the poem is full of sensuous images such as fair flowervisual image,comely grow kinasthetic image and honeyed blossomsolfactory image.all the images make us feel pity for the beautifulflower which has only a short life.
obviously the poet is sentimental,deistic optimist.
the line"the sapace is but an hour"contains a hyperbole stressingand transience of life.
the tone of the poem is both sentimental andoptimistic.

Philip Freneau(1752--1832)
"Poet of the American Revolution"（美國(guó)革命詩(shī)人）
"Father of American Poetry"（美國(guó)詩(shī)歌之父）
He was the most significant poet of 18th century America.
Some of his themes and images anticipated the works of such 19thcentury American Romantic writers as Cooper, Emerson, Poe andMelville.
1） Works
a) The Rising Glory of America 1772 《美洲光輝的興起》
b) The House of Night 1779, 1786 《夜之屋》
c) The British Prison Ship 1781 《英國(guó)囚船》
d) To the Memory of the Brave Americans 1781 《紀(jì)念美國(guó)勇士》
e) The Wild Honey Suckle 1786
f) The Indian Burying Ground 1788
g) The Dying Indian: Tomo Chequi 《奄奄一息的印第安人：托姆•柴吉》

2） Life
 He was born in New York.
 At 16, he entered Princeton University.
 While still an undergraduate, he wrote in collaboration with oneof his friends (H.H.Brackenridge) a poem entitled “The Rising Gloryof America”.
 Later he attended the War of Independence, and he was captured byBritish army in 1780. After being released, he published “TheBritish Prison Ship” in 1871. In the same year, he published “Tothe Memory of the Brave Americans”.
 After war, he supported Jefferson, and contributed greatly toAmerican government.
 But after 50 years old, he lived in poverty. And at last he diedin a blizzard.

3） Assessment
Almost alone of his generation, he managed to peer through thepervasive
atmosphere of imitativeness, to see life around directly, toappreciate the natural scenes on the new continent and the nativeIndian civilization. Some of his most famous works, with theirlyric quality, sensuous images and their fresh perception of natureand “noble savagery” are directlyAmerican.

菲利普·弗瑞諾(Philip Freneau,1752-1832)美國(guó)19世紀(jì)著名詩(shī)人、記者。

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